Drawing Pads & Papers

The Daler-Rowney Ebony Sketchbooks range features a selection of artists' black cover hardbound sketchbooks with premium quality, crisp, white cartridge paper suitable for all dry techniques and pen and ink work. Features 50 A4 sheets of 160gsm, acid free white paper.

Daler-Rowney Fine Grain pads feature ideal papers for drawing and sketching on a fine grained texture. Available in a range of different grammages, each paper is suitable for all dry techniques and pen and ink work, with the heavyweight papers also supporting light watercolour washes. It is available in 120gsm, acid free, 30 sheets, size A3.

A4 ACRYLIC PAD SIMPLY 16 SHEETS 190 Linen textured finish ,Ideal for beginners and professionals, Suitable for schools and colleges

Daler Rowney Aquafine Texture Travel Book A5 Spiral Pad 12 Sheets 300 Gsm Fine Grain Acid Free,

These Daler Rowney Graphic Series Drawing Pads contain 20 sheets of 200gsm drawing paper. Suitable for drawing, painting and light pen and wash

Daler Rowney Graphic Series pad containing 20 sheets of extra smooth 250gsm acid-free bristol board. Suitable for airbrush technical drawing coloured pencil pen & ink

A pad of three assorted colours of "Parchment" style paper. For calligraphy, pen and ink work and certificate writing 30 sheets, 90g/m acid free paper.

24 x 32 cm in size Paper is 250 gsm Made from 100 Percent alpha pure cellulose Acid Free and PH Neutral Suitable for embossing, screen printing, monotype

Size of paper - 24 x 29.7 cm made from 180g drawing paper has a light grain on one side and a heavy grain on the other comes in an envelope packet comes in a pack of 12 sheets

This pad contains very high quality acid free paper. Its canvas grain is very similar to linen. It absorbs paint homogeneously while guaranteeing excellent retention of the top paint layer. It provides exceptional color rendering. Figueras paper is a high quality, resistant paper specially designed for the oil painting technique. It is equipped with a high-performance barrier to homogeneously absorb water, solvents and binders, and allow excellent maintenance of the pictorial layer on the surface, thus offering exceptional color rendering. Uncoated paper, it has a natural texture close to linen canvas. Permanent, acid-free paper, it offers excellent conservation over time. Ready to use and light, it is the ideal nomadic support to take in the workshop or outside. It is also a perfect support for oil pastels and for acrylic work with significant material and impasto effects.

• GOLDLINE NOTEBOOK: with its sober and timeless look, this sketchbook combines solidity and elegance. • WHITE SKETCH PAPER: this white paper, with a light grain and pleasing to the line, is ideal for sketching and sketching. Its heavy 140g weight also allows it to withstand low humidity techniques such as ink or gouache. • IDEAL FOR DRAWING: This paper is ideal for drawing in pencil, charcoal, chalk, pen, ink or gouache. It allows you to draw quickly without fear of pressing, blurring or erasing. • A4 FORMAT: thanks to its black hard cover and its spiral finish, this notebook is resistant and can facilitate drawing without support. Its canvas imitation cover is fully customizable. • ACID FREE: this paper is acid free and pH neutral for perfect conservation of designs over time. • EXCELLENT FINE ARTS SPECIALIST: Clairefontaine Rhodia offers highly qualitative products adapted to your needs and to all drawing techniques.

• A5 in size • Made from 140 g paper and the pad is landscape in orientation • Hard cover and is wirebound • Made for dry techniques and is resistant for watercolour; The pad is suitable for drawing • 64 sheets

• Paint On Multi-Technique pad for multiple media for painting / sketching / sketches / drawings • Excellent for gouache, dry/oil pastels, ink, acrylic colour paints and oil paintings • 40 acid free sheets in pad • A4 glued pad / 250gsm 115lb / white cartridge paper • Ideal for college / school / design / art / artists / design

• A4 in size • Paper have a natural sandy colour • Value for money • Acid Free and PH Neutral • Pad with 30 sheets

• Rhodia is a French brand belonging to the Clairefontaine group. We offer original and innovative stationery products. The Rhodia brand, with its easily recognizable logo, is a guarantee of high quality writing products • 120g black Maya cellulose paper is perfectly smooth on both sides. It is particularly suitable for precise drawings with pencil, marker, graphic pencil, pen. • Its surface allows the ink to dry quickly. Very resistant, it supports repeated scratching and rubbing without leaving residue • Free of acids, with neutral pH, it is produced with vegetable glue • Staple lock. Wrap-around striped cover in 270g Maya black cardboard. Rhodia • Touch logo on the front • The micro-perforated sheets can be peeled off easily • Black card • PEFC certified for sustainable forest management

The Post-it® Super Sticky Dry Erase Surface is designed to stick to a variety of painted drywall and steel surfaces, glass, finished wood, and existing whiteboards or chalkboards. The Post-it® Super Sticky Dry Erase Surface is easy to install and requires no tools – just unroll, peel and stick. Utilizing a proprietary dry erase coating, the Post-it® Super Sticky Dry Erase Surface is stain-proof, erases cleanly every time and writes smoothly. From horizontal applications on desks or tables to vertical applications on surfaces where traditional whiteboards cannot be installed, such as windows, the Post-it® Super Sticky Dry Erase Surface can be cut-to-fit and provides endless possibilities for dry erase solutions in new places. It’s even great for replacing old dry erase surfaces that may be ghosted—simply apply over the existing board and it looks new again.

The Post-it® Super Sticky Dry Erase Surface is designed to stick to a variety of painted drywall and steel surfaces, glass, finished wood, and existing whiteboards or chalkboards. The Post-it® Super Sticky Dry Erase Surface is easy to install and requires no tools – just unroll, peel and stick. Utilizing a proprietary dry erase coating, the Post-it® Super Sticky Dry Erase Surface is stain-proof, erases cleanly every time and writes smoothly. From horizontal applications on desks or tables to vertical applications on surfaces where traditional whiteboards cannot be installed, such as windows, the Post-it® Super Sticky Dry Erase Surface can be cut-to-fit and provides endless possibilities for dry erase solutions in new places. It’s even great for replacing old dry erase surfaces that may be ghosted—simply apply over the existing board and it looks new again.

The Post-it® Super Sticky Dry Erase Surface is designed to stick to a variety of painted drywall and steel surfaces, glass, finished wood, and existing whiteboards or chalkboards. The Post-it® Super Sticky Dry Erase Surface is easy to install and requires no tools – just unroll, peel and stick. Utilizing a proprietary dry erase coating, the Post-it® Super Sticky Dry Erase Surface is stain-proof, erases cleanly every time and writes smoothly. From horizontal applications on desks or tables to vertical applications on surfaces where traditional whiteboards cannot be installed, such as windows, the Post-it® Super Sticky Dry Erase Surface can be cut-to-fit and provides endless possibilities for dry erase solutions in new places. It’s even great for replacing old dry erase surfaces that may be ghosted—simply apply over the existing board and it looks new again.

•A4 in size Paper is white in color and is made from 120 g 100 Percent cellulose •Fine light grain on one side and the other side is smooth •Suitable for use in dry techniques; The paper is Acid-Free and PH Neutral •Glued pad with 50 sheets

•A3 in size •Paper is white in color and is made from 160 g 100 Percent cellulose •Fine light grain on one side and the other side is smooth •Suitable for use in dry techniques but can also be used in wet techniques. The paper is Acid-Free and PH Neutral •Wire-bound head pad with 50 sheets.

•A4 in size •Paper is white in color and is made from 160 g 100 Percent cellulose •Fine light grain on one side and the other side is smooth •Suitable for use in dry techniques, but can also be used in wet techniques; The paper is Acid-Free and PH Neutral •Wire-bound head pad with 50 sheets

•A4 in size •Paper is white in color and is made from 160 g 100 Percent cellulose •Fine light grain on one side and the other side is smooth •Suitable for use in dry techniques, but can also be used in wet techniques; The paper is Acid-Free and PH Neutral •Glued pad with 50 sheets

Assorted colors, supply depends on availability. 1 random color book: blue, navy, green, red, purple, yellow, grey, pink, orange, or colorless. Qualitative & versatile paper: extra white Clairefontaine drawing paper 125 g/m² suitable for both dry and wet techniques, ideal for drawing enthusiasts and students in art schools! strong transparent polypro cover, waterproof and tearproof. With a double spiral reinforced and protected by an enveloping cover, no more escaping pages

Assorted colors, supply depends on availability.1 random color booklet: blue, navy blue, green, red, purple, yellow, grey, pink, orange, or colorless qualitative & versatile paper: extra white Clairefontaine drawing paper 125 g/m² suitable for both dry and wet techniques, ideal for drawing enthusiasts and students in art schools! Resistant: strong transparent polypro cover, waterproof and tearproof. With a double spiral reinforced and protected by an enveloping cover, no more escaping pages!

•A5 in size •paper is made from 250 GSM paper •Paper within the pad is made from 250 GSM •Acid-Free and PH Neutral •Pad contains 20 sheets which are glued across the top and can be removed easily when required.

•A4 in size •Made from 210 g 100 Percent Polycotton material •Glued pad and can easily be removed when required •Canvas requires fixing and tightening before use. The canvas can be used for oil and acrylic paint •Pad contains 10 sheets that are Acid-Free and PH Neutral

•A2 in size •Made from 210 g 100 Percent Polycotton material •Glued pad and can easily be removed when required •Canvas requires fixing and tightening before use; The canvas can be used for oil and acrylic paint •Pad contains 10 sheets that are Acid-Free and PH Neutral

•A5 in size •Pad contains white, with grain, sandy, grey, black, and denim •Can be used with dry and wet techniques •Paper is resistant to scratching, can be erased, and give depth to color shades •Pad contains 24 sheets

•A4 in size •Pad contains white, with grain, sandy, grey, black, and denim •Can be used with dry and wet techniques •Paper is resistant to scratching, can be erased, and give depth to color shades •Pad contains 24 sheets

•A3 in size •Pad contains white, with grain, sandy, grey, black, and denim •Can be used with dry and wet techniques •Paper is resistant to scratching, can be erased without going fluffy, and give depth to color shades •Pad contains 24 sheets

•Paint'On is the most complete and qualitative multi-technique paper! It is the perfect compromise between dry techniques (pencil, graph pen, felt-tip pen) and wet (India ink, gouache, acrylic). •Thanks to its heavy weight, this quality support resists scratching and supports multiple layers. 100% cellulose paper (these are pulp fibers mainly from wood, after the removal of lignin). Excellent retention capacity.

•100% recycled paper from France is extra white with an almost smooth surface. •It is ideal for wet and dry techniques. •Dedicated to drawing pencil, charcoal, felt, greasy pastel, ink, gouache, and acrylic. •Thanks to its thickness, it is perfect for folding and gluing. •It is perfectly compatible with laser and inkjet printing. An excellent multi-technical paper

•100% recycled paper from France is extra white with an almost smooth surface. •It is ideal for wet and dry techniques. •Dedicated to drawing pencil, charcoal, felt, greasy pastel, ink, gouache, and acrylic. •Thanks to its thickness, it is perfect for folding and gluing. •It is perfectly compatible with laser and inkjet printing. An excellent multi-technical paper

•A5 in size •Made from 300 g pure cellulose watercolor paper •Slight grain texture •Suitable for every kind of wet or dry techniques •Glued at the top pad with 10 sheets

•12 x 18 cm in size •Hot pressed and made from 100 Percent cotton paper The paper is 300 g •Lightly grained and is suitable for making portraits •Glued on 4 sides to keep the paper in one place when using •Pad contains 20 sheets and is suitable for use with watercolors

•24 x 30 cm in size •Hot pressed and made from 100 Percent cotton paper The paper is 300g •Lightly grained and is suitable for making portraits •Glued on 4 sides to keep the paper in one place when using •Pad contains 20 sheets and is suitable for use with watercolors

•30 x 40 cm in size •Hot pressed and made from 100 Percent cotton paper The paper is 300 g •Lightly grained and is suitable for making portraits •Glued on 4 sides to keep the paper in one place when using •Pad contains 12 sheets and is suitable for use with watercolors

•Contains 30 sheets of off-white vellum paper 125g. •50% cotton paper which ensures perfect homogeneity of ink absorption and guarantees maximum conservation. •Glued pad to easily detach the sheets without tearing them. •Neutral pH: acid-free paper keeps perfectly over time. The colors keep their shine. •Off-white sheet that gives your writing a warm and deliciously old-fashioned look. •Practical: the A5 format (14.8x21cm) allows you to carry it easily.

•A4 in size. Portrait format •32 sheets. Made from Clairefontaine Simili Japon 250g natural paper •leatherette hardcover. Elastic strap closure. Ribbon bookmark •Rhodia logo embossed on the front cover •Suitable for use with Indian inks, calligraphy writing, and other wet techniques. Paper is Acid-Free, PH Neutral, and Vegan friendly

•Made from 270g paper •Smooth in texture •Suitable for drawing, cutting, gluing, folding and more

•Color: Brass •Size 50 x 70.4 x 0.9 cm

Assorted colors, supply depends on availability. •50 x 70 cm in size •Made from 120 g paper •Smooth in texture •Suitable for drawing, cutting, gluing, folding and more •Assorted colors: White, sun Yellow, Lemon, Orange, Intensive Pink, Red, Purple, Blue, Midnight Blue, Moss Green, Dark Green, Brown, Grey, Black

•Derwent Black Mixed Media Paper: A4 size, 12 sheets of superior quality 300gsm black acid-free paper, suitable for use with wet and dry media, enhancing creations with a contrasting backdrop •Heavy Weight Paper with Fine Grain Finish: Superior, deluxe quality, suitable for use with watercolors, ink, acrylic, oil paint, pens, oil pastels, gouache, and more.

•A5 in size •Made from 55 GSM paper and is white in color; The frame is turquoise blue in color •Bleed proof •Suitable for use with pencil, Indian ink, pen, nit ink •Glued on the top edge and has 50 sheets within the Pad

•A4 in size •Paper is Thick and glued on 1 side •Light textured white surface •Suitable for use with acrylic and gouache •Pad contains 10 sheets The paper is Acid-Free and PH Neutral

•A3 in size •Made from 300 g pure cellulose watercolor paper •Slight grain texture •Suitable for every kind of wet or dry techniques •Glued at the top pad with 10 sheets

•A4 in size •Made from 300 g pure cellulose watercolor paper •Slight grain texture •Suitable for every kind of wet or dry techniques •Glued at the top pad with 10 sheets

•A3 in size •Made from 140 g paper and the pad is landscape in orientation •Pads have a hardcover, solid and elegant •Made for dry techniques and is resistant to watercolor; The pad is suitable for drawing •64 sheets in a casebound Pad

•A4 in size •Made from 75 g paper Extra white and smooth •Can be used with markers, alcohol pens and can be used to design car designs, fashion drawings, manga comics, and more •Paper is bleeding proof, and the ink does not run to shadow effects that can be created. •Glued top pad with 70 sheets

•Smooth in texture •Suitable for drawing, cutting, gluing, folding and more.